Portús, Javier, The Spanish Portrait: From El Greco to Picasso, exh. cat. Centre Georges Pompidou, Les années cubistes: collections du Centre Georges Pompidou, Musée national d’art moderne et du Musée d’art moderne de Lille Metropole, Villeneuve d’Ascq (Paris: Centre Georges Pompidou, 1999), p. 138, as Hommage à Pablo Picasso. 13), 27 (ill.), as Hommage à Picasso (Portrait of Pablo Picasso), January-February 1912. Richardson, John, A Life of Picasso, vol. Find more prominent pieces of still life at Wikiart.org – best visual art database. Open today 10–11 a.m. members | 11 a.m.–6 p.m. public. 190, 320 (fig. cat. Kahnweiler, Daniel-Henry, Der Weg zum Kubismus (Stuttgart: Gerd Hatje, 1958), p. 94 (ill.), as Picasso, 1912. Here he fractured his sitter’s head, neck, and torso into various planes and simple, geometric shapes but organized them within a regulated, compositional structure of diagonals. 9), as Portrait von Picasso (Hommage à Picasso), 1911/12. (Madrid: Museo Nacional Centro de Arte Reina Sofía. 41 (fig. Leymarie, Jean, Picasso: Métamorphoses et unité (Geneva: Skira, 1971), p. 226 (ill.), as Portrait de Picasso, 1912. Cooper, Douglas, “Gertrude Stein and Juan Gris,” Apollo 93, 107 (January 1971), p. 29, as Portait of Picasso, 1912. (fig. He also participated in the final major exhibit of cubist painters at the Salon des Independents in Paris in 1920. He also blurs the distinction between the background and the central object in the picture. 3, ill.), as Hommage à Picasso. 13, 24, 25, 27, and 45, cat. (New York: Buchholz Gallery, 1949), n.p. Saiko, George “The Tragic Position of Abstract Art,” London Studio 5 (January 1933), pp. cat. Darüber hinaus beeinflusste der synthetische Kubismus … Hattendorff, Claudia, Künstlerhommage: Ein Bildtypus im 19. und 20. In 1906 Juan Gris traveled to Paris, where he met Pablo Picasso and Georges Braque and participated in the development of Cubism. 97, ill.). Weitere Ideen zu kubismus, kunstproduktion, kunststile. 112, 113 (fig. 41, as Hommage à Picasso. 86 (fig. (Ferrara: Ferrara Arte, 2004), pp. (ill.), as Hommage à Picasso, 1911. B. Schiratzki, Der Querschnitt 5, 1 (January 1925), p. 33 (ill.), as Bildnis Picasso, 1910. 13), n.p. cat. 2, 1907–1917 (New York: Random House, 1996), pp. 85, ill.), 379–380, as Homage to Pablo Picasso, 1912. 33), xx (ill.), as Portait Picasso/Hommage à Pablo Picasso/Portrait de Picasso, 1912. 54 (fig. cat. Carol Green (New York: Orion Press, 1972), p. 222 (ill.), 223, as Portrait of Picasso, 1912. Gertrude Stein provided him with financial assistance, and he spent time at Henri Matisse's studio in the south of France. Severini, Gino, Tutta la vita di un pittore (Milan: Gazanti, 1946), p. 149. 11, ill.), 48, as Portrait of Pablo Picasso. (fig. Habasque, Guy, Le cubisme, (Geneva: Skira, 1959), pp. New York, Saidenberg Gallery, Hommage à Kahnweiler, May 13–June 8, 1957, no. Martini, Alberto, Picasso e il cubismo (Milan: Fratelli Fabbri, 1967), pp. So wird ferner der synthetische Kubismus … Juan Gris designed sets and costumes for the dance troupe from 1922 through 1924. Analytischer und synthetischer Kubismus sind Phasen im Kubismus. Cottington, David, Cubism and its histories (Manchester: Manchester University Press, 2004), pp. Courthion, Pierre “Juan Gris, le logicien du cubisme,” XXe siecle 36, 43 (December 1974), p. 38, as Hommage à Picasso. (Madrid: Galería Theo, 1977), n.p. (Milan: Mazzotta, 1991), p. 58 (ill.), as Hommage à Pablo Picasso, 1911-1912. “Orangerie des Tuileries Exposition: Juan Gris,” Pantheon 32, 3 (July/August/September 1974), p. 318 (ill.), as Portrait de Picasso ou Hommage à Picasso, 1912. Juan Legua is an oil on canvas painting by Spanish cubist Juan Gris created in 1911. Rosenblum, Robert, Cubism and Twentieth-Century Art (New York: Harry N. Abrams, 1960), pp. (New York: Museum of Modern Art, 1936), pp. Berlin, Galerie Alfred Flechtheim, In Memoriam: Juan Gris, February 1930, cat. 81 (pl. 2001), p. 91, 104 (ill.), 106 (ill.), as Homenaje a Picasso. 31(no. Artist: Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine) Date: Paris, 1914 Medium: Conté crayon, gouache, oil, wax crayon, cut-and-pasted printed wallpapers, printed white wove paper, newspaper, white laid and wove papers on canvas; subsequently mounted to a honeycomb panel 48, 56 (cat. Rosenthal, Mark, Juan Gris, exh. Show and discuss segments of a video if available. Pablo Picasso und … Juan Gris (1887-1927) Nature morte à la théière signed and dated 'Juan Gris 1916' (lower right) pencil on paper 15 3/8 x 11 1/8 in. In 1916, Gris signed a contract with French art dealer Leonce Rosenberg which helped solidify his financial future. Art Institute, Paintings in The Art Institute of Chicago (Chicago: Art Institute, 1961), p. 207, as Portrait of Picasso, 1912. Henry, Daniel, Juan Gris (Leipzig: Klinkhardt and Biermann, 1929), p. 2 (ill.), as Bildnis Picassos, 1912. 8 (ill.). He was one of the most significant cubist artists. Paris, Orangerie des Tuileries, Juan Gris, March 14–July 1, 1974, pp. 15, ill.), as Portrait de Picasso, 1912. Critique art prints and set up an interesting still life. Golding, John, Cubism: A History and an Analysis, 1907–1914 (New York: George Wittenborn, 1959), pp. Adrichem, Jan van, De ontvangst van de moderne kunst in Nederland 1910-2000: Picasso als pars pro toto (Amsterdam: Prometheus, 2001), p. 188 (ill.), as Portret van Picasso, 1912. 114, 115 (ill.), as Portrait of Picasso, 1912. (Buenos Aires: Museo Nacional de Bellas Artes, 1992), p. 93, as Retrato de Picasso, 1911-1912. 2), as Bildnis Picassos. 9 (ill.). Derouet, Christian, Juan Gris: Cartas, Dibujos 1915–1921, exh. Show and discuss segments of a video if available. "Juan Gris, Spanish Cubist Painter." V.90, ill.), 83, as Hommage à Pablo Picasso, 1912. Wood, James N. and Debra N. Mancoff, Treasures from The Art Institute of Chicago (Chicago: Art Institute, 2000), p. 246 (ill.), as Portrait of Pablo Picasso, 1912. Wertenbaker, Lael, The World of Picasso (New York: Time Life Books, 1967), pp. In 1904, he began to study with the artist Jose Moreno Carbonero, a past instructor of Salvador Dali and Pablo Picasso. Many observers see the technique as the logical extension of developments in cubism. (fig. (Dortmund: Museum am Ostwall, 1965), n.p. 85 (ill.), as Homage to Pablo Picasso. 14, 15 (fig. Gris exhibited at the Barcelona Exposicio d'Art Cubista in 1912, considered the first group exhibition of cubist artists. During the period, Gris contributed satirical drawings to a wide range of Parisian journals. 4. 33. Das offene Fenster, 1921 von Juan Gris als Kunstdruck kaufen. Madrid, Museo Nacional del Prado, The Spanish Portrait: From El Greco to Picasso, October 20, 2004–February6, 2005, pp. 5.1, ill.), 149, as Homage to Pablo Picasso, 1912. 225; traveled to New York, Metropolitan Museum of Art, April 7–June 7, 1971. Lamb, Bill. (fig. 6, ill.), 152, 177, as Portrait of Picasso, 1912. ThoughtCo, Aug. 28, 2020, thoughtco.com/juan-gris-4707826. 33 (ill.), as from “M. Alles Wichtige zu Leben, Werk und Kunststil dieser beeindruckenden Persönlichkeit. Bréon, Emmanuel, Juan Gris à Boulogne (Paris: Herscher, 1992), p. 17 (ill.), as Hommage à Picasso, 1912. (pl. (Paris: Galerie Simon, 1928), n.p. 29, 42, 48, and 211, cat. 1912 veränderten Picasso, Braque und in deren Folge auch Juan Gris ihre künstlerische Gestaltungsweise. Mit oder ohne Gemälderahmen. 72 (ill.), 73, as Portrait of Pablo Picasso, 1912. Er war das dreizehnte von vierzehn Kindern. 13), 57 (ill.), as Portrait of Picasso, 1912. New York, Buchholz Gallery, Cubism, April 5–30, 1949, cat. The first major solo exhibition of the work of Juan Gris took place in Paris in 1919. 178 (ill.), 472 (note 41), as Hommage à Picasso/Portrait of Picasso, 1912. Juan Gris, Sohn eines wohlhabenden Kaufmanns, wurde am 23. 4, ill.), 122 (cat. 1, ill.), 157, as Retrato de Picasso, 1912. Present the work of Pablo Picasso, Juan Gris and Georges Braque through PowerPoint or slides. This style has been called "crystal cubism." In 1906 Juan Gris traveled to Paris, where he met Pablo Picasso and Georges Braque and participated in the development of Cubism. 20 (cat. Madrid, Spain, Ministry of Culture, Juan Gris [1887–1927], September 20–November 24, 1985, pp. 41), as Hommage à Picasso, 1912. Wood, James N. and Katharine C. Lee, Master Paintings in The Art Institute of Chicago (Chicago: Art Institute, 1988), p. 117 (ill.), as Portrait of Picasso, 1912. Critique art prints and set up an interesting still life. März 1887 als José Victoriano González Pérez in Madrid geboren. Der spanische Maler Juan Gris war ein Zeitgenosse von Picasso und Braque, der ebenfalls für diese Kunstrichtung bekannt ist. (Berlin: Galerie Alfred Flechtheim, 1930), n.p. (Madrid: Ministerio de Cultura, 1985), pp. Apollinaire, Guillaume, The Cubist Painters, translated, with commentary, by Peter Read (Berkeley: University of California Press, 2004), p. 169, as Homage to Picasso. Silver, Kenneth, “Eminence Gris,” Art in America (May 1984), p. 154 (ill.), as Portrait of Picasso, 1912. Drawn in 1916 Provenance Galerie Jeanne Bucher, Paris. (Valencia: IVAM Centre Julio González, 1990), p. 19, as Hommage à Picasso. He delivered the lecture, "Des possibilites de la peinture" at the Sorbonne in 1924. In Paris, he encountered some of the leading artists of the emerging avant-garde scene including Henri Matisse, Georges Braque, and Pablo Picasso, as well as American writer Gertrude Stein, who would become a collector of Gris' work. (London: Whitechapel Art Gallery, 1992), pp. 4, and 122–123, cat. Zervos, Christian, Histoire de l’Art Contemporain (Paris: Cahiers d’Art, 1938), p. 236 (ill.), as Hommage à Picasso, 1912. New York, Museum of Modern Art, Cubism and Abstract Art, March 2–April 19, 1936, pp. Credit Line Gift of the Estate of Grant J. Hochwertige Museumsqualität aus österreichischer Manufaktur. Lamb, Bill. Cunningham, Charles C. and John Maxon, Anselmo Carini, Instituto de arte de Chicago, El mundo de los museos (Buenos Aires: Éditorial Codex, S.A., 1967), pp. 53, ill.), 122. Galerie Georges Petit, Cent ans de peinture française, exh. cat. Instead, he chose to focus on the drawing skills that came naturally. Apollinaire, Guillaume, I Pittori Cubisti, trans. 10, 11 (ill.), as Portrait of Picasso. 103. (#746606) London, Alex Reid and Lefevre, L’Ecole de Paris, November 1938, cat. (Paris: Gazette des Beaux-Arts, 1935), n.p. (Bern: Kunstmuseum, 1955), n.p. Duval, Jean-Luc, Journal de l’art moderne, 1884–1914 (Geneva: Skira, 1973), p. 248 (ill.), as Hommage à Picasso, 1912. Rubin, William, Picasso and Braque: Pioneering Cubism, exh. University Art Museum, University of California, Berkeley, Juan Gris, February 7–April 8, 1983, pp. Das Berliner Programm (Berlin, 1930) (ill.). Fels, Florent, L’art vivant de 1900 à nos jours (Geneva: Pierre Cailler, 1950), p. 235 (ill.), as Portrait de Picasso. Juan Gris: Gitarre und Klarinette, 1920, Kunstmuseum Basel Kubismus ist eine Stilrichtung in der Kunstgeschichte. Drawn in 1911 (fig. cat. 43, ill.), as Portrait de Picasso, 1912. (cat. 21 (ill.), as Hommage à Picasso. Cabanne, Pierre, Cubism (Paris: Pierre Terrail, 2001), pp. (ill.), as Portrait de Picasso, 1912. Institute of Contemporary Art, The Image Lost and Found, exh. R. Allard, La Revue de France (March 1912), p. 72. Musée de Saint-Tropez, Les chemins du cubisme, exh. 9, ill.), 27, 45, as Portrait of Picasso, 1911-12. (Basel: Kunsthalle, 1948), p. 13 (cat. (Paris: Orangerie des Tuileries, 1974), pp. 1, ill.), as Portrait of Pablo Picasso, 1912. Just six years later, Gris too was known as a Cubist and identified by at least one critic as "Picasso’s disciple." 16, 2014, no cat. Robertson, Bruce, Twentieth-Century American Art: The Ebsworth Collection, exh. Der analytische Kubismus neigte dazu, expressive Werte aus den Augen zu verlieren, mit Ausnahme von Maßstäben, die zu esoterisch waren, um für jeden, der nicht in die Bewegung einbezogen war, viel zu bedeuten. cat. 14 (no. After adopting the name Juan Gris in 1905, the artist moved to Paris, France. (Paris: Paris Musées, 2000), pp. 33, Braque/Léger (Japan: Shogakukan, 1978), n.p. (2020, August 28). Clark, Eliot, “New York Commentary,” Studio 156, 787 (October 1958), p. 122, as Portrait of Picasso, 1912. Born in Madrid, Spain, Juan Gris studied engineering at the Madrid School of Arts and Sciences.